Landscapes vs Soundscapes

Can you practically hear the sounds? Be assured they were captured.

Landscapes vs Soundscapes 1

Landscapes vs Soundscapes 1

Landscapes vs Soundscapes 2

Landscapes vs Soundscapes 2

Landscapes vs Soundscapes 3

Landscapes vs Soundscapes 3


architectural functionalism

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Tutorial: Create Your Own ORTF Field Microphone Protractor

Here’s how to create your own custom ORTF field protractor that contains both 110 degrees and 17cm.

1. Download the docx file.

2. Print the file. (measure the red arrow and insure you have your 17cm)

3. Cut out the required angle from 0 until the solid line at 110 degrees.

3. I used moving tape to plastify. Cut out enough strips to cover the bottom side.

4. Drop the cut out protractor on the tape.

5. Apply tape to the top side now covering up any exposed paper.

6. Cut out the excess tape as closely to the edge as possible.

7. Set your microphone positions.

8. Rec.

Poll: Field Recorder Shootout

My good friend Michel Marchant, sound design guru,  has built a fantastic portable recording rig. This allows him to simultaneously record with up to four devices. He sent me files about a week ago and asked that I identify my favorite one. He allowed me to share them and see what the community thinks!

After listening to the audio files below, select your top recording in the poll. After voting click here to look behind the curtain.

How It Is Sometimes

Stacked sounds,
. organized chaos,
. . assembled emotion,
. . . controlled space,
. . . . cued subtleties,
. . . . . tone generated,
. . . . . . caffeinated creation,
. . . . . . . amplified illusion,
scripted salutation,
. planned panned,
. . earned reward,
. . . emulated simulation,
. . . . auditory arrow,
. . . . . troubleshooted reward,
. . . . . . stumbling possibility,
. . . . . . . subconscious strike,
making believe.

Ambience (/ˈambēəns/) Transition Test

Ambience is the blurring of designed emotion and reality, evoked through your subconscious.

The ability to create a parallel reality without questioning the origin or intention is a unique opportunity. As sound designers, we’re sonic architects with the ability to shape whatever emotion we chose. For game audio it is no longer a technical limitation, but a creative leap.

An ambience transition test… the concept is capturing a location without context. In post, conduct the emotion through processed elements and slowly introduce the locations actual sound. The equivalent to fading from black & white to color.

Stereo 24bit / 96KHz
Fostex FR2
Rode NT4

Recorded in Lachine (Google Maps)

The Awkward Shootout: XY vs MS

At Funcom we have access to a few microphones that cover our general recording needs. I’m putting some of them to the test to see what options and combinations can be used in the field. I chose two locations that have distinct tones to try and capture the microphones characteristics. Why awkward? Well it’s not the usually suspects when it comes to shootouts specifically MS. Let’s have a listen!

Location 1 - Recorded off of Ste-Catherine street west, between Bishop and Mackay Street. (Google Maps)
0:00 XY – RØDE NT4
1:02 MS  - RØDE NTG3 (mid) AKG 414 (side)

Location 2 – Recorded in the Funcom office at 1440 Ste-Catherine street west (Google Maps)
0:00 XY – RØDE NT4
1:02 MS  - RØDE NTG3 (mid) AKG 414 (side)

Conclusion: One of the reasons people use MS recording technique is because of the wide stereo image. These examples also show how narrow the NT4 is, small compromise for a portable stereo solution. I also really like the frequency response of the MS kit, nice full and round. Let me know if you put together an uncommon MS kit would love to hear it!


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